Fritz Lang, almost alone among his fellow continental refugees, was able to make outstanding films in both his native Germany and his adopted Hollywood. The director of Metropolis and M and Dr. Mabuse came to America in 1934 and began a long and distinguished career that included such films as You Only Live Once, The Woman in the Window, Scarlet Street, Ministry of Fear...(展开全部)

罗伯特·阿普（Robert Arp），阿姆斯特丹自由大学哲学博士（2009），多伦多大学英语语言文学硕士（2002），获剑桥大学英语语言教育资格证（2002），西蒙弗雷泽大学哲学及英语语言文学荣誉学士（2001）。编有《南方公园与哲学》（South Park and Philosophy），《蝙蝠侠与哲学》（Batman and Philosophy），《艾布拉姆斯哲学》（The Philosophy of J.J. Abram）（《碟中谍.3》导演）等一系列文学作品。 亚当·巴克曼（Adam Barkman），加拿大耶稣基督学院哲学副教授，韩国知名理工大学延世大学哲学教授。著有《C·S·路易斯与作为一种生活方式的哲学》（C. S. Lewis and Philosophy as a Way of Life, 2009年）和《透过常见事物》（Thro...(展开全部)

Taiwanese born, Ang Lee (b. 1954) has produced diverse films in his award-winning body of work. Sometimes working in the West, sometimes in the East, he creates films that defy easy categorization and continue to amaze audiences worldwide. Lee has won an Academy Award two times for Best Director―the first Asian to win―for films as different as a small drama about gay cowboys in...(展开全部)

Taiwanese born, Ang Lee (b. 1954) has produced diverse films in his award-winning body of work. Sometimes working in the West, sometimes in the East, he creates films that defy easy categorization and continue to amaze audiences worldwide. Lee has won an Academy Award two times for Best Director―the first Asian to win―for films as different as a small drama about gay cowboys in...(展开全部)

In this remarkable new study, the renowned historian and theorist of early cinema turns his attention to the work of Fritz Lang, proposing new readings of the entire output of one of cinema's foremost directors. Gunning examines the films not only as a stylistically coherent body of work, but as an attempt to portray the modern world through cinema. The world of modernity in wh...(展开全部)

In this remarkable new study, the renowned historian and theorist of early cinema turns his attention to the work of Fritz Lang, proposing new readings of the entire output of one of cinema's foremost directors. Gunning examines the films not only as a stylistically coherent body of work, but as an attempt to portray the modern world through cinema. The world of modernity in wh...(展开全部)

柯玮妮（Whitney Crothers Dilley），美国西雅图华盛顿大学博士（1998），现任台北世新大学英语系副教授。与陈鹏翔合编《华人文学中的女性主义/女性气质》（Feminism/ Feminity in Chinese Literature, 2002）。曾以华语女性文学编辑身份获列入知名的「世界名人录」 ( Marquis Who's Who in the World )。 2009年08月《纽约时报》专文〈追逐社会的藏龙〉（Chasing Society's Hidden Dragons）中，受访谈论李安的作品。

Born in Taiwan, Ang Lee is one of cinema's most versatile directors whose ability to traverse cultural, national, and sexual boundaries has gained him worldwide recognition. His astonishingly diverse résumé shows him tackling culture clashes and globalization ( Eat Drink Man Woman, 1993), period drama ( Sense and Sensibility, 1995), blockbusters ( Hulk, 2003), and gay romance...(展开全部)

包弼德（Peter K.Bol），1982年获美国普林斯顿大学历史学博士学位，1985年起任哈佛大学副教授、教授、讲座教授。1997—2002年任东亚语言文明系主任及东亚国家资源中心主任，现任哈佛大学副教务长，以及中国历史地理信息系统理事长、中国历代传记资料库理事长。主要研究中国思想史，出版著作多部和论文六十余篇。

包弼德（Peter K.Bol），1982年获美国普林斯顿大学历史学博士学位，1985年起任哈佛大学副教授、教授、讲座教授。1997—2002年任东亚语言文明系主任及东亚国家资源中心主任，现任哈佛大学副教务长，以及中国历史地理信息系统理事长、中国历代传记资料库理事长。主要研究中国思想史，出版著作多部和论文六十余篇。